Showing posts with label Weeds. Show all posts
Showing posts with label Weeds. Show all posts

7/31/08

It's Just Playlist 35 Has Got Me in a Sway


If the saying "All politics are local" is right, I'm sure glad I don't live in Oklahoma County. That's where Brent Rinehart serves as a county commissioner and part-time comic book writer.

I'm a big fan of the Miami Herald's Pulitzer
Prize-winning columnist Leonard Pitts. His recent column tipped me off to Rinehart's campaign literature. Actually literature is too strong a word. Crap, excuse the language, would be more accurate. The commissioner, stuck in a tough reelection fight and facing trial on felony campaign finance charges, is using his writing skills (or lack, thereof) to publish comic books that blame all his problems on the usual villains -- gays, liberals, etc.

Read more about it here and in Pitts' column.


And speaking of comics, I saw the Dark Knight this past week. Yes, it lived up to the hype. And yes, I'm already sick of all this Batman talk. So let's just forget about that for now and see what else was in Playlist 35.

Fate. Dr. Dog
You've heard me slam Pitchfork before. Well, they deserve another slam. They've given Fate, the Philly-based Dr. Dog's latest album a mediocre 5.5 review. Don't trust those snobs. Give Fate a listen. Building on last year's wonderful We All Belong (number two on Distractions Top Album List of 2007), the Dog plies its unique lo-fi retro-rock vision to 11 more songs. You'll hear the Beatles, The Band and, even briefly ELO in these songs. But like Dr. Dog, it's a unique mix.

See my full review on the Princeton Record Exchange Blog.

Sway. Zachary Lazar.
Lazar's second novel presents the 1960s not as that era of peace, love and happiness, but as a time of evil, jealousy and death. Oh, and copious amounts of drug use. Lazar weaves together three separate, yet connected, tales of immorality, using real characters who were both touchstones of the decade -- The Rolling Stones (mostly Brian Jones), Charles Manson -- and merely footnotes -- musician Bobby Beausoleil and Satanic filmmaker Kenneth Anger.

I'm a big fan of historical fiction. But despite the numerous accolades Lazar's book has received, I struggled with it. The fact is that all the characters are so real, particularly Mick Jagger and Keith Richards, that it was hard to discern between the historical and the fiction.

That said, Lazar's well-written prose and his character development of Beausoleil and Anger drive the book. And, if anything, it had me seeking out more information on these characters who were footnotes of that historical decade.

A good summer read -- if you don't mind a little darkness.

Chip Kidd (Monographics). Veronique Vienne.
Since reading The Learners (see Playlist 22), I've been eager to learn more about author/book cover designer Chip Kidd. What I really wanted to read was this, but instead went with Vienne's book. Kidd is one of many talented book cover designers now, but he's gotten the most press. He's very much a rock star of the book design world. It's easy to see why in this collection of his more interesting covers. (His Elephant Vanishes cover is on the left.)

Weeds, Season 3 and 4 (so far).
As I said when I reviewed Season 2 earlier this year, the best way to describe this show is depraved. But thanks to the very imaginative and funny writers and some wacky acting, it has survived well its move from Agrestic/Majestic. (Unfortunately, the
opening song Little Boxes didn't make the move.) Warning: It's very addicting. And it may be a gateway to other shows, such as ...

Reefer Madness.
This is one of those college-age rituals, like the whole Wizard of Oz/Dark Side of the Moon thing, that I missed out on. But I caught it late one night on FLIX. Originally titled, Tell Your Children, this 1936 film aims to warn everyone about the scourge of Marihuana. And based on the film, this drug, which is worse than heroin, will make you laugh uncontrollably, dance as poorly as Elaine in that Seinfeld episode, act promiscuously and then murder someone. On the good side, you'll be able to play the piano really fast. It is something that really has to be seen to be believed. What a wonderful dichotomy to Weeds.

2/22/08

Playlist 13 -- Call it Friend-o

For almost 20 years now, my wife and I have dutifully watched the Oscars together, as we will do tomorrow night. Used to be that we had seen most, or at least many, of the films nominated. But over the last few years -- with two kids in the house -- that hasn't been the case. But this year we have two horses in the race -- Juno and No Country for Old Men.

No Country for Old Men.
The Coen Brothers latest effort lived up to my high expectations. I was thrilled with how faithful they stayed to Cormac McCarthy's novel. The movie, like the wonderful book, is a slow-paced violent study on good and evil, and how life and growing older can be so damn tiring. The desolate backgrounds, shot by cinematographer Roger Deakins, are almost another character. It's similar to Deakins' work in Fargo. And great performances by the whole cast, particularly Tommy Lee Jones and Javier Bardem.

Weeds, the Second Season.
There are two ways to describe this show.
Depraved.
And fun as hell.
For those unfamiliar with the Showtime series, Nancy (Mary Louise-Parker) is a widowed suburban mom, taking care of her two sons and her brother-in-law. She turns to selling pot to make a living. The show is often dark. Sometimes shocking -- very shocking. And there aren't many likable characters in the town of Agrestic. However, you find yourself rooting for Nancy as she navigates her way through the complex life she's built for herself, all the while trying to grow her business.


Under the Banner of Heaven. By Jon Krakauer.

In his 2003 book, Krakeur weaves together the history of the Mormon Church with the story of the Lafferty murders -- when two brothers stabbed and killed their sister-in-law and baby niece because they were told to in a divine revelation. It's a fascinating story and Krakauer tells it extremely well, particularly as he details the growth of the Latter Day Saints from Joseph Smith's visions to the established and growing mainstream religion it is today. But the book focuses more on the fundamentalist sects that grew out of the Mormon Church after it, somewhat reluctantly, according to Krakauer, denounced polygamy. Some may see Krakauer's account as a challenge to the Mormon faith. I, however, see it more as a rebuke of fundamentalism in general.

Escape from Dragon House and Venus on Earth. Dengue Fever.
As far as band stories go, this one is pretty good. Musician goes to Cambodia with a friend. Friend is bitten by a mosquito and contacts Dengue fever. Musician discovers Cambodian psychadelic rock. Musician comes back to America starts band that plays similar music and finds a lead singer from Cambodia. And she sings in Khmer. The result is a mix of myriad sounds - swirling organ, garage rock guitar, spy movie grooves -- that is captivating. And it doesn't matter that you (unless you speak Khmer) can't understand 90 percent of the lyrics. Venus on Earth, released just last month, does have the English-language Tiger Phone Card. It's the best place to start if you're interested in exploring this unique band.

Other tunes I've been digging this past week ...
-- We're Gonna Groove, Led Zeppelin, Coda. Often blasted as Zep's weakest album, this collection of leftover material has some real gems, including this song.
-- The Hardest Part, Ryan Adams, Jacksonville City Nights. One of many standouts from Adams' supposedly country album.
-- Bodysnatchers, Radiohead, In Rainbows.
-- Right Hand on My Heart, Whigs, Mission Control.
-- Little Boxes, Malvina Reynolds. The Weeds theme song is played by a different artist on each show. Check out the show's official site, or simply click here, to find all the great music on the show.