Science in the Time of Cholera (Read)

A couple weeks ago, my favorite radio show This American Life had as its theme -- The Wrong Side of History.

And that's where Edwin Chadwick finds himself in Steven Johnson's The Ghost Map, a fascinating nonfiction account of London's 1854 cholera outbreak. Chadwick was a miasmist. He believed that cholera and other diseases were transmitted through the air. The public health official saw the cesspools, street refuse and waste in Londoner's basements as a health hazard. So he developed -- and delivered on -- an impressive plan to take all that, quite literally, shit and deposit it in the Thames.

Johnson writes:

"Chadwick was building an elaborate scheme that would deliver the cholera bacteria directly to the mouths of Londoners ... By the end of the outbreak, nearly 15,000 Londoners would be dead. The first defining act of a modern centralized public-health authority was to poison an entire urban population."

Oops.

Johnson goes on to compare "Chadwick's folly" to the decision during the 1665-66 plague to mass exterminate all the dogs and cats who some felt were spreading the disease. But the real source of the problem was rats. And they "grew exponentially after the sudden, state-sponsored demise of their only predators."

It's those kinds of details that make Johnson's books so enjoyable. He tackles scientific history and presents it as an engaging , original way. He's kind of a combination of Erik Larson (Devil in White City) and Mary Roach (Bonk).

The hero of The Ghost Map is John Snow, known for his groundbreaking work in anesthesia. Like Joseph Priestly, the hero of Johnson's new book The Invention of Air, Snow is an amateur scientist (at least when it comes to diseases like cholera), but through determination and intelligence, he figures out the source of the problem.

You can read more about this book at its Web site. And see my review of The Invention of Air.

Listen to this Wilco Offshoot -- Pronto! (Heard)

Listening to a Wilco side projectsusually requires a bit of patience. Whether its Nels Cline shredding, or Glenn Kotche going off on the skins, or even the progressive rock of Loose Fur, the players are expanding their field and experimenting. And it's good music. I love both Loose Fur albums. But it takes some patience.

So what a treat to hear the fresh blast of 70s pop-rock on Pronto's debut All Is Golden. Pronto includes Wilco keyboardist Mikael Jorgensen and his former Lizard Music bandmate Eric Paparazzi.

Between the lead-off track Listen Lover and the closer I Think So there is little filler. This is one consistent, and accessible album, from the tender folk of Had & Have to the fuzzed-out Monster.

Pronto is at its best channeling The Band in I Don't Know Where All My Good Friends Have Gone and What Do You Know About You? When I'm on the Rocks sounds suspiciously like I Must Be High from Wilco's first album (a song penned long before Jorgensen joined the band).

You can hear the title track and I Don't Know Where All My Good Friends Have Gone on the right-hand side in Currently Playing.

Man Without an Ending (Read)

Late last week, I finished reading the Hugo Award-winning Man in the High Castle. It was my introduction to sci-fi legend Philip Dick, and I was immediately pulled into his terrifying alternative history. Following FDR's assassination, the U.S. was weakened and eventually lost World War II. Now the West Coast is Japanese territory and the East Coast belongs to the Germans. Dick makes this scenario feel realistic. It's quite chilling and draws you into the book. But, unfortunately, once the premise is set, the book goes nowhere and the ending is very unsatisfying.

Flaming Lips Cover Madonna (Seen)

Distractions' favorites Flaming Lips join Stardeath and Dwarfs for a spacy yet rocking version of Madonna's Borderline. Click here.

Rod MacDonald Returns (Heard)

Kudos to Rod MacDonald for another folk classic -- the 16-song set After the War, a stirring collection of both new and old material. The disc, which was produced by JP Bowersock, guitarist for Ryan Adams & the Cardinals, runs the folk gamut.

It includes the classic White Buffalo. But the highlight is actually Stop the War (also originally on White Buffalo), which sounds as relevant now as when Rod originally wrote it in 1982. Rod does a tender remake of the 1962 George Pitney hit Half Heaven, Half Heartache. George Gehring, who wrote the song, plays piano on the track. (Listen to Stop the War in Currently Spinning on the right-hand side of the page).

No, it's not the kind of move that's going to send Rod straight up the pop charts. But this is no oldies disc. Like all Rod's work, it's feels fresh and able to stand the test of time. And hey, Ballerina initially sounds like something out of the Hold Steady catalog before settling into something you could picture Bruce Springsteen or Ryan Adams singing.

LP Cover Lover -- Number Two (Seen)

I've already praised the cultural benefits -- and overall fun -- of the LP Cover Lover Web site. Well, you better sit down for this one. Men, you can stand. But don't miss yesterday's cover of The Bathrooms Are Coming, a 1969 classic "created, performed and released as a 'souvenir' to employees and customers by the American Standard bathroom fixtures company."

Go to Cover Lover and give this baby five stars. Then, head on over to WFMU's Beware of the Blog to hear the album in its beautiful entirety.

Just make sure to shut and lock the door behind you.

Nothing Comical About This Masterpiece (Heard)

Sunday morning.

Overcast skies

Sleeping in, then reading the Sunday paper in bed.

I've found Robert Wyatt's 2007 release Comicopera to be the perfect soundtrack for this type of morning. Wyatt's sad, sad voice and his mix of jazz, chamber-pop and avant garde are geared to those slow moments, where you can take time to let the music and words wash over you.

Comicopera is a 16-song set, broken up into three parts. If you're downloading, and short on dough, focus on the first part, starting off with the goosebump-inducing Stay Tuned.